That Drifting Poo Was Way Too Meaningful! These Are the Television Letdowns of the Past Year.
As we consider the TV landscape of the recent year, a selection of shows emerge not for their excellence, but for their notable failures. Ranging from cringe-inducing sequels to bafflingly poor docuseries, here are the productions that left us scratching our heads or just reaching for the remote.
The 'Sex and the City' Sequel
How to start with this love/hate follow-up? Plagued with dreadful writing, painful character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the show struggled to justify its existence. For a moment, as the final series began, it seemed as if it had finally hit its stride. Then came an installment all about Seema’s natural deodorant. No wonder the creator announced this would be the last season. It ended on a bum note; the lingering shot of Miranda’s loo full of poo was just way too on-the-nose. Yet, viewers undeniably had a hoot picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a small sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? The answer is a resounding no.’
But that was practically the least of this drama's problems. The recipient of a very rare zero star review, it was difficult to know where to begin enumerating the flaws. The laughably wooden dialogue? The mind-numbing veneration of affluence and materialism? The almost deliberate parade of cliches? Performances so bad they felt borderline spiteful? Suffice it to say “all of the above” and never speak of this series again. However, a second season has been ordered, so we’re likely going to have to.
AKA Charlie Sheen
Given the restraining orders, abuse allegations and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have known it from this multi-part documentary which smirked its way at Sheen’s various episodes of self-destructive excess while failing to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might evoke should be saved for the people who have had to endure close contact with this charismatic but flippant narcissist.
The Supercomputer Drama
Of course we knew it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.
MobLand
Dodgy figures convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.
Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate unconvincing dialects. But there were many other issues. Mainly that it was just really boring; a dispute over drug-selling territory between various cockney picaresques which seemed rather simplistic.
With Love, Meghan
Considering the extent to which she provokes the ire of certain ostentatiously enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various forays into twee homemaking as deliberate provocations. But then you view them and are forced to concede that actually, they might have a point. It’s like watching a homeware catalogue animated; a meme for evening drinks with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental sayings and pointless crafting “hacks” you’ll not remember instantly. All supported by vast, mostly unearned wealth. Ugh.
The Beckham Documentary
There are obviously fascinating things to be discussed about regarding Victoria Beckham and her journey with career, identity, self-worth. But for whatever reason, this three-part series opted not to say them. Instead, the experience was akin to consuming a sales brochure. She obviously has every right to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this guarded non-event of a series.
The Game Show
It had the potential to be the next big hit – except even camper, with a famous star playing dead and a well-known personality managing her inheritance. What more could you ask for? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too confusing to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up smelling of a production that was straining desperately to emulate something far greater than it.
Too Much
How do you succeed a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of famous cameos involved felt uncomfortable.
The Sketch Show Return
Not even good enough to be ‘patchy’.
Given the smart recruitment of talented younger comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply inspired the idea that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series struggled painfully to find the right voice, lumbering from strangely breezy, slightly stylised farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Very much so.
Prime Target
We admire the lead actor … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a discovery that could ruin society? Nope! This international thriller about secret services targeting – and killing off – intellectuals honestly got more farcical by the second. Silliness-by-numbers.
1000 Men and Me: The Bonnie Blue Story
This uncritical portrait followed the online personality renowned for sexual exploits as she prepared for her most extreme challenge yet. What on earth would motivate her? What we wanted was way more examination of her actual psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to haul her son out of the queue. What we got was horrific imagery and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.